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Cloud Call

by Talamana

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1.
America faints. Enraged the Zenith grew. And in the red clouds of blood rose a Wonder Over the-Atlantic sea. The morning comes, the night decays, The watchmen leave their stations Let the slave grinding at the mill Run out into the field. Reviving shake, inspiring move Breathing, awakening Spring like redeemed captives When their bonds-and bars are burst. CHORUS: Let’s look up into the heavens And laugh in the bright air Our chains are loose, Our dungeon doors are open. The Sun has left his blackness And has found a fresher morning the fair Moon rejoices In the clear and cloudless night. Oh, lover of wild rebellion And transgressor of the law All that lives is holy (everything) (for) life delights in life. CHORUS: Let’s look up into the heavens And laugh in the bright air Our chains are loose, Our dungeon doors are open. CODA: For Empire is no more, now the Lion and Wolf shall cease.
2.
I taste a liquor never brewed – From Tankards scooped in Pearl – Not all the Frankfort Berries Yield such an Alcohol! Inebriate of air – am I And Debauchee of Dew – Reeling – thro’ endless summer days – From inns of molten Blue – When ‘Landlords’ turn the drunken Bee Out of the Foxglove’s door – When Butterflies – renounce their ‘drams’ – I shall but drink the more! CHORUS: Reeling through endless summer days Leaning aginst the Sun! Till Seraphs swing their snowy Hats – And Saints – to windows run – To see the little Tippler Leaning against the – Sun!
3.
I've got the children to tend
 The clothes to mend
 The floor to mop
 The food to shop
 Then the chicken to fry
 The baby to dry
 I got company to feed
 The garden to weed
 I've got shirts to press
 The tots to dress
 The can to be cut
 I gotta clean up this hut
 Then see about the sick
 And the cotton to pick.
 
 Shine on me, sunshine
 Rain on me, rain
 Fall softly, dewdrops
 And cool my brow again.
 
 Storm, blow me from here
 With your fiercest wind
 Let me float across the sky
 'Til I can rest again.
 
 Fall gently, snowflakes
 Cover me with white
 Cold icy kisses and
 Let me rest tonight.
 
 Sun, rain, curving sky
 Mountain, oceans, leaf and stone
 Star shine, moon glow
 You're all that I can call my own.
4.
Four Doors 06:51
The first door is the only door. The door is between what is and what is not. Mother, the door is between your legs. Father, the door is between your ears. I go through it and I die. I go through it and I am born. The second door appears out of the blue. It is the clear and cloudless sky. I see a mirror that reflects nothing. God is seeing me seeing God. I walk through the mirror as slowly as I can, Savoring myself disappear. The third door is at the bottom of the ocean. I throw myself into the waves. I dive into the cool, dark depths. I run out of air, but must go deeper. To find the door, I drown, I grow gills. I return to the first cell. The fourth door is at a crossroads. It is the way of the cross. I look back to where I've been. I remember and vow not to forget. I cross the threshold and all is forgotten. I know the pain of learning again.
5.
Cloud Call 06:50
We disappear very well The bee in the cactus flower the gazelle fleeing over the plains, the tortoise into its shell. It disappears all too soon rain in the sandy dune, Wells run dry The rice is planted pray for the coming monsoon Coyotes howl the moon turns copper over cliffs receding in the dark The western diamondback devours its prey the arrow finds its mark A flock of ravens descends to roost the hawk rests on a cactus spine aloft a hummingbird drinks nectar from the desert columbine. Call the clouds overhead to feed the riverbed may it rain soon with banks overflowing thanks be to the monsoon.
6.
Hurricane 06:17
Sleep at noon. Window blind
 rattle and bang. Pay no mind.
 Door go jump like somebody coming:
 let him come. Tin roof drumming:
 drum away — she's drummed before.
 Blinds blow loose: unlatch the door. Look up sky through the manchineel:
 black show through like a hole in your heel. 
 Look down shore at the old canoe:
 rag-a-tag sea turn white, turn blue,
 kick up dust in the lee of the reef,
 wallop around like a loblolly leaf.
 Let her wallop — who's afraid?
 Gale from the north-east: just the Trade . . .
 And that's when you hear it: far and high 
 sea-birds screaming down the sky
 CHORUS: high and far like screaming leaves;
 tree-branch slams across the eaves;
 rain like pebbles on the ground . . .
 and the sea turns white and the wind goes round
7.
Gate Of Love 07:57
I will come, I’ll come, I will, I will greet the sun again I will come, I’ll come, I will, I will greet the earth again. I will come, I’ll come, I will. and the gate will be all love. I will come, I’ll come, I will I’ll greet them all once more I’ll greet the sun once more - that stream running in me those clouds unfurling my thoughts, pangs of the growing poplar grove through seasons of drought. crows flying with me offering the scent of their fields at night my mother who showed me my old age in the mirror where she lived and the earth, swollen with greening seeds, lusting to make me again — I’ll greet them all. I will come. I’ll come. I will, my hair trailing in underground scents my eyes heavy variations of darkness herbs in my hands culled in those woods beyond the wall I will come. I’ll come. I will. and the gate will be all love and those who love and that girl waiting there still in the gate of love - I’ll greet them all once more.
8.
Eight miles high, and when you touch down You’ll find that it’s stranger than known. Signs in the street, that say where you’re going Are somewhere just being their own. Nowhere is there warmth to be found Among those afraid of losing their ground Rain gray town, known for its sound In places, small faces unbound Round the squares, huddled in storms Some laughing, some just shapeless forms Sidewalk scenes, and black limousines Some living, some standing alone

about

Talamana plays original songs, incorporating jazz and folk music with elements of Indian and Middle Eastern music, based on lyrics of various visionary poets, ranging from William Blake and Emily Dickinson to contemporary poets such as the Iranian feminist Forugh Farrokhzad and the Christian mystic Laris Salins. The group consists of: Jim Matus on laoutar (a lute/guitar hybrid) and back-up vocals, whose compositions are grounded in the distinctly American voice of jazz and fusion music; Laila Salins on vocals and shruti, who brings her Eastern European (Latvian) sensibility and her immersion in contemporary chamber music; Robert Markey on sitar, whose work is informed by his studies in India ; and Richie Barshay on percussion, whose eclectic abilities as a percussionist range from traditional jazz and fusion (including stints with Herbie Hancock and Chick Corea), to Indian and Klezmer music.

Their debut recording was just released in August of 2023. The word “talamana” is a Sanskrit word denoting cosmic order and rhythm.

A previous incarnation of Talamana created the program, “Songs along the Amber Road”, supported by the European Union’s “Capitals of Culture” program

credits

released August 17, 2023

Laila Salins: vocals, shruti, Tibetan bells
Jim Matus: laoutar, vocals
Richie Barshay: percussion
Robert Markey: sitar

Recorded at Chesterfield Gorge Recording Studio by Jim Matus
Mixed by Jim Matus and Laila Salins
Mastered by Jim Chapdelaine, Hartford, CT

Graphic Design: Jim Belanger
Cover Art: Mike Metzger "Soothing the Savage Beast"

lailasalins.com/talamana-2
Contact: lailasalins@gmail.com. jim@jimmatus.com
413-471-3133. 646-591-6520

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Jim Matus Northampton, Massachusetts

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